How to Get (and Not Get) an Agent

Firstly, I’ll start with how NOT to get an agent as some of the examples are so awful, that you’d have thought I’d made them up, however, they’re all based on actual incidents, here at The Ki Agency;

1/ Do NOT harass anyone ever, this includes constantly e-mailing, texting or phoning agents to ask them what they thought of their work and when will they be taken on, etc. I would also apply this rule to real life too, so please NEVER harass an agent, manager, director or actor in a public place, lift, bar, etc. to thrust your script upon them, they will hate/pity you and are unlikely to ever read it.

2/ Equally unimpressive is to demand a meeting and/or that we respond immediately…..

3/ Don’t even THINK about re-sending a declined script or book 6 months later, to another agent – we have a database with all our responses to submissions - there is no secret “back door” short cut.

4/ NEVER verbally reprimand someone by shouting on the phone, demanding they read your script – this will never win you an agent, regardless of talent as you are demonstrating what behaviour you think is normal/acceptable. As with any relationship; it’s a two-way street.

5/ Do NOT lie in your cv, this includes claiming to have made Oscar winning or nominated screenplays or films..……do not claim that your work has been shown at various Film Festivals world-wide. Remember how easy it is via the Internet to double check facts and look on imdb.

6/ Don’t send us 10 pages or ask if we want to read the remaining or describe a project, simply send the complete script, BE BRAVE!

7/ Even though you’ve been to lots of different writing courses, it’s probably better to only mention one or two as you just end up looking desperate, addicted or too odd.

8/ Do not list your script or film as winning tons of imaginary prizes, by which I mean paid for screenwriting courses, as this doesn’t count or even film/script competitions that don’t exist!

9/ Do NOT “Hide in History” as I read so many WW1 or Victorian dramas, which are decently written but unlikely to ever be made by a first-timer. A new writer’s work stands a far better chance to be made, if it’s modern. Did you know that one hour of contemporary drama costs approximately £750,000 but set in any different period and budgets shoot up to around £3 to £6 million?

10/ On the off-chance that your script is turned down, DO NOT send more projects in – this is know in the business as the “boomerang” response and NOT what anyone wants. Listen to what the agent has said – often there could be really helpful advice about your imperfect script.

11/ Try to resist describing your script as the new BREAKING BAD meets STRANGER THINGS, for example because as brilliant as both these series are; you’re making your project derivative and NOT ORIGINAL – you need to make your project sound as unique and special as possible.

 

 

Here are some handy tips in HOW TO WIN THE ATTENTION OF A WRITERS AGENT;

 

1/ Write a brilliant, breath-takingly original screenplay, regardless of style, length or genre. Generally speaking, I prefer to read contemporary stories set in the UK or with a British context or protagonist.

2/ Write a sanely worded, well spelt, grammatically correct e-mail, communicating basic facts, contact details and/or creative flourish or links to other work, etc. Be careful with your wording; ie; do not call me Sir (my name is Roz) Be honest about your ambitions and expectations, reference why you’re looking to be represented by this agent, be it some other writer you respect or mutual taste.

3/ Wait – be patient for at least a couple of months or so. Remember that Patience is a Virtue.

4/ Hopefully you WILL find the right agent one day soon, but in the meantime, should an agent say NO, for now, but asks you to stay in touch, for whatever reason, take this advice on the chin – they wouldn’t say this if they didn’t mean it and contact them in 6 months or a year’s time or whenever you have finished a new script or book.

5/ Create an appropriate website which shows off your true talents – you can use photos of yourself and or the projects that you’ve produced. Links to film clips, trailers, etc. are always helpful too. Keep it tight, use some professional quotes, but not too many. Keep away from your private social media details. Have a clear cv somewhere and contact details.

6/ Finally, do remember to KEEP ON WRITING – whatever happens – if you are good, someone, somewhere at some point in your life will recognise this. If you’re creatively stuck, try writing something completely different or in a genre that you’d never liked or contemplated, you could surprise yourself and us!

Good luck and have faith in yourself.

Roz