Predictions for 2025

Generative AI

This issue will come to a head in the UK this year. There’s a Bill under discussion in our government; several states in the US have introduced or are debating bills; there is new legislation in the EU which is also being scrutinised. The ALCS have set themselves up to licence these rights (as ‘computational analysis’ rights). New wording has been introduced into publishing contracts, prohibiting the use of AI in the writing and publishing process except where it’s a tool which has already commonly been in use, and has human oversight.

Special editions

I love that we’ve rediscovered our love of books as a loveable item. These look set to stay strong through 2025.

And in general…

At the time of writing, the Golden Globe Awards have been announced, and we’re halfway through the voting for the BAFTA Awards. At first glance, there seemed to be a heavy reliance on ‘existing IP’ – i.e. a lot of films based sequels and brands. When things have been tough (most recently, with lockdown and the strikes), financiers back safe choices. And yet, more substantial and less orthodox films have found favour. 

I prefer to watch the BAFTA screeners knowing as little about the film as possible, and Emilia Perez was a surprising delight.  Other favourites this year include Thelma, A Real Pain, Conclave and The Brutalist. While I thought C’è Ancora Domani contained some odd creative decisions, the ending was incredibly moving.

So I hope this trend towards the unorthodox, perhaps playful, and thoughtful stories continues.

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